Beth Greene (
a_littlefaith) wrote2016-07-26 01:15 pm
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August 12
It's been over two months since she realized she was dead. Almost eight weeks since Daryl disappeared. A little over four weeks since he had come back and she'd realized he was another person entirely, not the man she had been set to marry. It's a lot to have happen to anyone in a two month period and for a time she'd felt completely lost, faltering in a way she hadn't liked. It had just seemed easier to crawl into bed and pull the blankets over her head so she wouldn't have to face the world or maybe to take after her father and drink herself into a state where she wouldn't have to care about any of it.
In the end, it's Maggie's example she'd decided to follow. One morning about two weeks ago, she had taken off the moonstone ring Daryl had given her, taken it off for good, and placed it back in the box it had come in. Then she had carefully, lovingly tucked the box in the drawer beside her bed and closed it away. It's what Maggie would have done. It isn't giving up, because Maggie never would have done that, but it's accepting the reality of what is instead of what used to be. Nothing she can do will change the Daryl who's here into the Daryl who left, she has to accept that.
Her sister would have told Beth to look after herself, not to forget about her own needs, so she'd put the ring away, knowing it's the fairest thing she can do for herself and for Daryl. Until she can talk to him about what they used to be, having that reminder of what had come before doesn't do anyone any good. So she takes the ring off and she tries to get back to normal.
Friday night rolls around and she has a gig at a small bar, about thirty minutes worth of material she's written in the past several months. None of the songs are about Daryl, she's been very careful about that, but she likes what she's written. Maybe some of this pain is worth it if it gives her good song writing material. When she sings she feels a little less childlike, a little more like an adult, and she has to wonder how much these past few months have forced her into growing up.
It's scary to think she hadn't felt this much like an adult before and it's sad to think that's what pain does to a person.
But she's smiling by the time she wraps up and her heart feels lighter than it has in some time. Her curls are clinging to her cheeks and her forehead and the back of her neck, the bar hot and damp, the night air warmer still, and as she heads away from the bar -- maybe she'll go home or maybe it's time for a weekend visit to one of her friends -- she finds she actually feels good. Not better, not normal, but good.
[I set it up to let people find her in a variety of places, whatever works best. Out on the street, in the bar where she's playing, at her apartment or their apartment if they'd want her to come visit.]
In the end, it's Maggie's example she'd decided to follow. One morning about two weeks ago, she had taken off the moonstone ring Daryl had given her, taken it off for good, and placed it back in the box it had come in. Then she had carefully, lovingly tucked the box in the drawer beside her bed and closed it away. It's what Maggie would have done. It isn't giving up, because Maggie never would have done that, but it's accepting the reality of what is instead of what used to be. Nothing she can do will change the Daryl who's here into the Daryl who left, she has to accept that.
Her sister would have told Beth to look after herself, not to forget about her own needs, so she'd put the ring away, knowing it's the fairest thing she can do for herself and for Daryl. Until she can talk to him about what they used to be, having that reminder of what had come before doesn't do anyone any good. So she takes the ring off and she tries to get back to normal.
Friday night rolls around and she has a gig at a small bar, about thirty minutes worth of material she's written in the past several months. None of the songs are about Daryl, she's been very careful about that, but she likes what she's written. Maybe some of this pain is worth it if it gives her good song writing material. When she sings she feels a little less childlike, a little more like an adult, and she has to wonder how much these past few months have forced her into growing up.
It's scary to think she hadn't felt this much like an adult before and it's sad to think that's what pain does to a person.
But she's smiling by the time she wraps up and her heart feels lighter than it has in some time. Her curls are clinging to her cheeks and her forehead and the back of her neck, the bar hot and damp, the night air warmer still, and as she heads away from the bar -- maybe she'll go home or maybe it's time for a weekend visit to one of her friends -- she finds she actually feels good. Not better, not normal, but good.
[I set it up to let people find her in a variety of places, whatever works best. Out on the street, in the bar where she's playing, at her apartment or their apartment if they'd want her to come visit.]
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She doesn't have any idea what she's doing right now. All she knows is lately being around Chuck is one of the few times she feels good about things. He's familiar and comforting in his way, a reminder that life isn't all tied up in one single person. But being around him isn't complicated either, it isn't like it is when she's about Curtis, her feelings about him confused and dangerous at the best of times.
They're nearing his place, but she doesn't want to go home yet, so she looks at the building, then over at Chuck. "You think it's okay if I come in for a bit? I'm just... I don't think I can go home yet."
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"Yeah, it's fine," he says, glancing over at her as he starts towards the door of his building. "I don't mind." He sure as hell can't blame her for wanting to put off going home, under the circumstances. Maybe he's never been where she is, but it's easy to see why it might be difficult, after everything.
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The best way to forget is to find someone else.
And she knows how stupid it is, how she can't take that to heart. Maggie had only been seventeen at the time, but it's the sort of memory that's stuck with her all through the years. It's the advice she'd taken when some dumb boy at school whose name she doesn't even remember had turned her down for a date. He'd said no, so she'd said yes to Jimmy.
This isn't the same, it's not even remotely that, it's so much more complicated, but she doesn't care. Not now.
"When I was younger, my sister used to tell me about all her boyfriends and it always seemed so fun," she says, giving another laugh. "I had no idea it could get so serious."
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Here, it's different, or at least it was when Beth first asked him out. He thinks now that maybe he'd had the right idea before, never bothering, when he can't see why anyone would want to date him in the first place, why she did. Like she said, all they could do was figure things out as they went along. She figured out she was in love with someone else. He figured out that he isn't cut out for a relationship.
"Ours was... the first and last time I considered it, I guess."
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It isn't that she thinks she wants to be in a relationship again, not right now, maybe not for a very long time, and that isn't her intention in inviting herself over like this. Two years ago it had been different, she had wanted to date Chuck, call him her boyfriend, hear him call her his girlfriend, but now she recognizes things are much more complicated than that, not only because he doesn't want something like that, but because she doesn't either. And yet it still makes her sad. Even if she's not cut out to be the person he ends up with, she thinks he's a good guy and he was a good boyfriend, even if he's not sure about that. Even since then he's done nothing but be good to her when he has no reason to bother and she thinks it's not so impossible to find someone who would make him really happy.
That isn't at all what she wants to be thinking about, but there it is.
She pauses by the elevator and presses the button, waiting for the car in silence. Then she says, "I guess there are ways to make it fun again. Instead of serious."
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She has an idea what she means, but nothing is entirely clear anymore. Everything feels muddy and complicated and she doesn't want that. All she wants right now is simple.
"I dunno, like..." She trails off and shrugs. "My sister would've said to have some kinda no strings attached sort of thing, but I've never done anything like that before."
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"Well, speaking from experience, it very much is fun," he says with a wry smile, stepping into the elevator once it pulls up, using one arm to keep the doors open for Beth to step inside. He's done that with a few people in Darrow since dating Beth, and it comes far more easily to him than any actual relationship could. While he doesn't know if she means in general or if she's proposing something here — he can't assume, not with her, not with how he's felt about her — it seems like something that it might be worthwhile for her to try either way. "I'd recommend it."
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As long as none of them are around tonight, Beth doesn't care about that. She's not jealous, she's not looking to be his girlfriend again, but she needs something and she figures this might be worth trying.
"I think I wanna try it," she says, then rests one of her hands against Chuck's stomach, the other on his forearm. "I'm not askin' you for anything serious, I know that's not what you're lookin' for. But I wanna try it and... and I trust you already." It seems like the best place to start and without waiting for an answer she rises up onto her toes, high enough that she can carefully press a kiss to his mouth.
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Surprised or not, it's easy enough to kiss her back, anyway, one hand tentatively coming to rest against her hip. He keeps it soft, not wanting to surge too far ahead too fast, but he has a feeling he knows where this is heading. Still, it seems better to let her determine that for herself when she's the one who's never done this before, who's figuring out what she wants.
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For once, she isn't thinking about anything else. She's not thinking about Daryl and what she's going to do when she has to talk to him again. She's not thinking about the things they said to each other or the way she'd felt sick and cowardly when she'd all but run from his apartment. The only thing she's thinking about is Chuck's mouth on hers and the way his muscles feel shifting under his shirt.
The elevator doors slide open and she pulls back, half expecting to find someone staring at them, but they're still alone, and so she smiles, more an invitation than anything.
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When the doors open and she steps back, he smiles down at her, letting him think for nearly the first time since they broke up how beautiful she is. Hell, maybe this will be good for both of them after all.
"Come on," he says, stepping out of the elevator and gesturing down the hall with a tilt of his head, reaching into his pocket for his keys with one hand and taking one of hers with the other. He'd ask if that kiss was alright, if this is, but her smile seems telling enough, and starting something with no strings attached is one thing he knows he's good at.
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Once they get inside, she's halfway through shrugging off her guitar case when she realizes the living room is strewn with someone's things. Clothes and bags, all of it belonging to a woman, and she looks over at Chuck with a little grin at the corners of her mouth.
"Got a roommate?" she asks, but it doesn't matter. She puts her guitar case aside, then moves back toward Chuck, her arms slipping around his waist and pressing herself close to him.
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"Friend of mine got kicked out of her place," he explains, smiling down at Beth, clearly more interested in her than the state of his living room. "I'm letting her stay here a while." It is a good thing, he thinks, that Sally isn't around now, but that's all the more reason not to linger in the living room. Instead, he leans down to kiss Beth again, briefly this time. "I don't think we need to stay out here, do you?"
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She gets to decide things now. She's strong enough to be on her own and do whatever she wants.
"No," she says. "I don't think we do either." And even though they dated, she's never been in Chuck's bedroom before. He'd always been so good with her, not pushing her further than she was comfortable, but things have changed. Everything has changed. She's never been in there, but that doesn't mean she doesn't know where it is and so she starts down the hall ahead of him, flashing a grin over her shoulder.
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His own room is a far cry from the living room, everything neat and sparse, all but empty. Some old habits really do die hard, and growing up in the military, being shuffled between Shatterdomes, there hadn't been much room or need for anything else, and that hasn't changed here. Inside, the door closed behind them in case Sally does turn up at some point, he stops for a moment, just looking at her. "Well, this isn't how I expected today to go."
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And absurdly, she sort of wants to thank him. For making it easy, for being exactly who he is, for not expecting anything of her when they had been dating, for being able to be for her now. The road they've taken to get here is long and weird and complicated, but it's worked out somehow and for that she's grateful.
Instead she figures she'll just do her best to make this good for him. Maybe she's only ever been with Daryl, but she never heard a single complaint from him and she isn't interested in feeling insecure now. This is going to be fun for them. She's not going to allow herself to worry it might not be.
Coming up close to him again, she slips her arms around his waist, rising onto her toes, pushing up into another kiss.
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He supposes that's something he'll figure out pretty soon.
In the meantime, it's enough just to kiss her. He can't remember the last time he did — at the time, he hadn't known it would be the last time — and that, too, is something that's probably for the best. The more he can keep their history out of his head, the better off they'll be.
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Probably he would be, she decides. Not that it matters right now. The only thing that matters right now is what they both want.
Her hands slide down his back, down toward the hem of his shirt where they slip under the material and spread across his lower back. His skin is warm and she hums softly into his mouth, a sound of pleasure, of approval.
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She always did bring out another side of him. It's really no wonder that the same is true now, even after all this time.
His thumb brushes along her cheekbone, and then his hand moves back, sliding into her hair. Even if she changes her mind, even if they don't get past just kissing, he thinks it still will have been worth it. At least they will have had this, something much better than the way things ended between them before.
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Her fingers curve under just slightly and she keeps her nails short, but they still scratch lightly against his stomach.
She doesn't want to get ahead of herself, but she thinks about his hands on her skin like hers are on him now and it makes her shiver pleasurably.
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Though he'd told her that he hadn't been expecting this today, it goes far beyond that. This isn't a chance he was supposed to have gotten at all.
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"You always were real good at this," she teases breathlessly, then presses up to kiss him again.
She's braver than she used to be. In the time since they dated, she's learned a lot about what to do, how to move, what she likes and how to ask what someone else likes. Maybe she's never going to be an expert, but she thinks she knows what she's doing here, at least to the extent they'll both have a good time, and so her hands creep under Chuck's shirt again, pushing it up now, up and out of the way.
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Finally, reluctantly, he draws back from kissing her again, tugging his shirt overhead and dropping it on the floor, his hands smoothing down her arms once he has. "I'm good at other things, too," he says, his voice low. There may not be many things fitting that description, but he's good in a fight and he's good in bed, and right now, it's only the latter that's important.
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